TEXTS BY
> First Thoughts on Landscape as Method published by the Sonic Arts Research Unit, 2023
> Introduction to the Edward James–Aldous Huxley Correspondence in the Edward James Archive. Co-written with James Sexton (University of British
Columbia) published in Aldous Huxley Annual, 2023
> Correspondences liner notes for Morgan Evans-Weiler ‘Correspondences’ released on Editions Verde 2022
> Cameron Rowland: 3 & 4 Will. IV c.73 ICA exhibition review published by This is Tomorrow, 2020
> The Continuum of the Field: John Berger and
Michael Pisaro. Presented at the Courtauld Institute as part of the Sound Art Curating Conference 2014
> Interpretations Q-O2 Reader 2014
TEXTS ON
Essays and Books
> Reflections on the Participatory and
Polyphonic Potential of Communal Sonic Practices by Salomé Voegelin and Mark Peter Wright 2022
> Experimental Music Since 1970 by Jennie Gottschalk, Bloomsbury (2016)
> Interview with Jennie Gottschalk (2015)
> Point of Departure Issue 42 (2013)
> Interview with Simon Reynell of Another Timbre (2013)
> Word Events: Notes on Verbal Notation James Saunders and John Lely, Continuum (2012)
> Interview with Simon Reynell of Another Timbre (2012)
Album Reviews:
> ‘I Love This City and its Outlying Lands’ (2020) review by Esoteros
> ‘I Love This City and its Outlying Lands’ (2020) review by Eyes for Ears
> Antoine Beuger ‘Ockeghem Octets’ (2005/2017) performed by Ryoko Akama, Kate Halsall, Sarah Hughes, Seamus Cater, Ecka Mordecai , Harriet Richardson, Leo Svirsky, Kathryn Williams
The Guardian, All About Jazz, Squid’s Ear
> ‘Goldsmiths’ released by Another Timbre (2016)
The Wire, Improv-Sphere, Boring Like a Drill, The Squid’s Ear, Musique Machine, Fluid Radio
> Antoine Beuger ‘Canor Quartets’ (2003/2012) performed by Jurg Frey, Sarah Hughes, Dominic Lash, Radu Malfatti
The Wire, Points of Departure, All About Jazz, Just Outside
> Dominic Lash, Patrick Farmer, Sarah Hughes ‘Droplets’ (2012) The Watchful Ear, Improv-Sphere, Just Outside, All About Jazz, Eartrip
> Stephen Cornford, Patrick Farmer, Sarah Hughes, Kostis Kilymis ‘No Islands’ (2011)
Squid’s Ear, Eartrip, Just Outside, Improv-Sphere, Touching Extremes, All About Jazz, The Watchful Ear
> Loris ‘The Cat from Cat Hill’ (2009)
The Wire, Aphidhair, Just Outside, Paris Transatlantic, The Watchful Ear, The Squid’s Ear, Temporary Fault, Raw
TEXTS ON
Essays and Books
> Reflections on the Participatory and Polyphonic Potential of Communal Sonic Practices by Salomé Voegelin and Mark Peter Wright 2022
> Experimental Music Since 1970 by Jennie Gottschalk, Bloomsbury (2016)
> Interview with Jennie Gottschalk (2015)
> Point of Departure Issue 42 (2013)
> Interview with Simon Reynell of Another Timbre (2013)
> Word Events: Notes on Verbal Notation James Saunders and John Lely, Continuum (2012)
> Interview with Simon Reynell of Another Timbre (2012)
Album Reviews:
> ‘I Love This City and its Outlying Lands’ (2020) review by Esoteros
> ‘I Love This City and its Outlying Lands’ (2020) review by Eyes for Ears
> Antoine Beuger ‘Ockeghem Octets’ (2005/2017) performed by Ryoko Akama, Kate Halsall, Sarah Hughes, Seamus Cater, Ecka Mordecai , Harriet Richardson, Leo Svirsky, Kathryn Williams
The Guardian, All About Jazz, Squid’s Ear
> ‘Goldsmiths’ released by Another Timbre (2016)
The Wire, Improv-Sphere, Boring Like a Drill, The Squid’s Ear, Musique Machine, Fluid Radio
> Antoine Beuger ‘Canor Quartets’ (2003/2012) performed by Jurg Frey, Sarah Hughes, Dominic Lash, Radu Malfatti
The Wire, Points of Departure, All About Jazz, Just Outside
> Dominic Lash, Patrick Farmer, Sarah Hughes ‘Droplets’ (2012) The Watchful Ear, Improv-Sphere, Just Outside, All About Jazz, Eartrip
> Stephen Cornford, Patrick Farmer, Sarah Hughes, Kostis Kilymis ‘No Islands’ (2011)
Squid’s Ear, Eartrip, Just Outside, Improv-Sphere, Touching Extremes, All About Jazz, The Watchful Ear
> Loris ‘The Cat from Cat Hill’ (2009)
The Wire, Aphidhair, Just Outside, Paris Transatlantic, The Watchful Ear, The Squid’s Ear, Temporary Fault, Raw
Essays and Books
> Reflections on the Participatory and Polyphonic Potential of Communal Sonic Practices by Salomé Voegelin and Mark Peter Wright 2022
> Experimental Music Since 1970 by Jennie Gottschalk, Bloomsbury (2016)
> Interview with Jennie Gottschalk (2015)
> Point of Departure Issue 42 (2013)
> Interview with Simon Reynell of Another Timbre (2013)
> Word Events: Notes on Verbal Notation James Saunders and John Lely, Continuum (2012)
> Interview with Simon Reynell of Another Timbre (2012)
Album Reviews:
> ‘I Love This City and its Outlying Lands’ (2020) review by Esoteros
> ‘I Love This City and its Outlying Lands’ (2020) review by Eyes for Ears
> Antoine Beuger ‘Ockeghem Octets’ (2005/2017) performed by Ryoko Akama, Kate Halsall, Sarah Hughes, Seamus Cater, Ecka Mordecai , Harriet Richardson, Leo Svirsky, Kathryn Williams
The Guardian, All About Jazz, Squid’s Ear
> ‘Goldsmiths’ released by Another Timbre (2016)
The Wire, Improv-Sphere, Boring Like a Drill, The Squid’s Ear, Musique Machine, Fluid Radio
> Antoine Beuger ‘Canor Quartets’ (2003/2012) performed by Jurg Frey, Sarah Hughes, Dominic Lash, Radu Malfatti
The Wire, Points of Departure, All About Jazz, Just Outside
> Dominic Lash, Patrick Farmer, Sarah Hughes ‘Droplets’ (2012) The Watchful Ear, Improv-Sphere, Just Outside, All About Jazz, Eartrip
> Stephen Cornford, Patrick Farmer, Sarah Hughes, Kostis Kilymis ‘No Islands’ (2011)
Squid’s Ear, Eartrip, Just Outside, Improv-Sphere, Touching Extremes, All About Jazz, The Watchful Ear
> Loris ‘The Cat from Cat Hill’ (2009)
The Wire, Aphidhair, Just Outside, Paris Transatlantic, The Watchful Ear, The Squid’s Ear, Temporary Fault, Raw